SPB’s soulful rendition strikes the right chord in you. Well, if only wishes were horses(!) Only SPB could pull this with panache – not utter the “r” in poongatru, and still make it sound just perfect. Ilamai enum poongaatru (Pagalil Ore Iravu: Tamil) I wish this song remained audio-only, and was never picturized as it was originally done.Kudos to Isaignani and triple kudos to the messenger, SPB.
![lingashtakam flute notes lingashtakam flute notes](https://www.hitxp.com/wp-content/uploads/2020/01/lingashtakam.jpg)
What is unique about it? The words, music, and rendition give a comprehensive all-encompassing surround experience even with a lack of modern music production technology back in the 80s. Keladi kanmani paadagan sangadhi (Pudhu Pudhu Arthangal: Tamil) Over the archaic Walkman or contemporary Airpods, this song oozes melody and rejuvenation.
Lingashtakam flute notes crack#
The effortless ease in naa lona saage aalapana is undoubtedly as smooth as the railway pulley cart smoothly cruising on the rails, If the rising of sun at crack of dawn were to be vocalized, it might sound like the nuance of nidura leche naalo hrudayame. The words, the rendition is just soothing blending and modulating in perfect unison. Leads right into a great fusion of folky and semi-classical.
Lingashtakam flute notes full#
Nuances in BGM is the differentiator – heavy synthetic instrumentation in the Hindi number contrasts natural freshness in the original version, which is full of life with that extra notch of soft-bass and soothing flute. While the song is immensely popular, I reckon the original eenade yedo ayyindi (Telugu) is a class apart. I bet it will dial back many a minds and hearts to nostalgic school, college, Archies and Yamaha RX-100 days.
![lingashtakam flute notes lingashtakam flute notes](https://c.saavncdn.com/267/Divine-Instrumental-2009-500x500.jpg)
When SPB croons – “chinna penn pennalla vanna poonthottam” with his personal touch of modulation – you can’t help but imagine the naivety of the subject electrifying a vibrant garden. The utterance of “ kaatrum” in this number, needed that extra emphasis on “r” to up that notch of impact. The depth in the first line of Pallavi – valai osai kalakalakalavena kavidhaigal padikkutu kulukulu thendral kaattrum veesuthu – sets the tempo from outset and doesn’t wane all through. You name the instrument, and a perfect subtle tune/note coming out of it is in there. The BGM, way ahead of its time, is a beautiful orchestration of some fine sounds originating from virtually, a myriad of instruments covering all genres. Sheer brilliance orchestrated in a racy tune augmented by SPB’s stellar rendition, ably supported by Lata’s female vocals.
![lingashtakam flute notes lingashtakam flute notes](https://img.youtube.com/vi/bfdZPz8Qpno/mqdefault.jpg)
Valai osai (Sathya: Tamil) Personally, I think this is one of the best compositions ever – from Isaignani Ilaiyaraja or any music director from India. *** Each title is a link to the audio/video of the song.
![lingashtakam flute notes lingashtakam flute notes](https://demo.dokumen.tips/img/380x512/reader023/reader/2020111513/58498c421a28aba93a909897/r-2.jpg)
– Edward Bullwer-Lytton.Ī few musings on favorite songs – mine, and yours – of legendary SPB. Music, once admitted to the soul, becomes a sort of spirit and never dies.